The Alteration

  The Alteration

  Kingsley Amis

  The Alteration

  Kingsley Amis

  First Published in 1976

  To Joanna and Terry Kilmartin

  Chapter One

  Hubert Anvil's voice rose above the sound of the choir and full orchestra, reaching the vertex of the loftiest dome in the Old World and the western doors of the longest nave in Christendom. For this was the Cathedral Basilica of St George at Coverley, the mother church of all England and of the English Empire overseas. That bright May afternoon it was as full as it had ever been in the three centuries since its consecration, and it would scarcely have held a more distinguished assembly at any time: the young King William V himself; the kings of Portugal, of Naples, of Sweden, of Lithuania and a dozen other realms; the Crown Prince of Muscovy and the Dauphin; the brother of the Emperor of Almaigne; the viceroys of India, New Spain and Brazil; the High Christian Delegate of the Sultan-Calif of Turkey; the Vicar-General of the Emperor Patriarch of Candia; the incumbent Archbishop of Canterbury, Primate of United England; no fewer than twelve cardinals, together with less pre-eminent clergy from all over the Catholic world-these and thousands besides had congregated for the laying-to-rest of His Most Devout Majesty, King Stephen III of England and her Empire.

  He had been a good king, worthy of his distinction in matters of faith and observances, enjoying mutually-respectful relations with both Convocation and the Papal Cure, held in tender affection by the people. A large number of those attending his Requiem Mass would have been moved as much by a sense of personal loss as by simple duty or the desire to assist at a great occasion. Just as many, perhaps, were put in awe by the size and richness of the setting. Apart from Wren's magnificent dome, the most renowned of the sights to be seen was the vast Turner ceiling in commemoration of the Holy Victory, the fruit of four and a half years' virtually uninterrupted work; there was nothing like it anywhere. The western window by Gainsborough, beginning to blaze now as the sun first caught it, showed the birth of St Helena, mother of Con-stantine the Great, at Colchester. Along the south wall ran Blake's still-brilliant frescoes depicting St Augustine's progress through England. Holman Hunt's oil-painting of the martyrdom of St George was less celebrated for its merits than for the tale of the artist's journey to Palestine in the hope of securing authenticity for his setting; and one of the latest additions, the Ecce Homo mosaic by David Hockney, had attracted downright adverse criticism for its excessively traditionalist, almost archaising style. But only admiration had ever attended-to take a diverse selection-the William Morris spandrels on the transept arches, the unique chryselephantine pyx, the gift of an archbishop of Zululand, above the high altar, and Epstone's massive marble Pieta.

  To few but the tone-deaf, the music must have been more immediate than any or all of these objects: Mozart's Second Requiem (K.878), the crown of his middle age and perhaps of all his choral work. Singers and musicians had just entered upon the Agnus Dei. There was a story about this too, that it had been written out of the composer's grief at the untimely death of an esteemed and beloved younger contemporary, but its celestial plangency needed no such eking-out. From its home key of D minor the piece moved through the relative major into the G minor section for solo voice and orchestra. With its long runs and jagged melodic line it made great demands on the singer, but Hubert Anvil was more than equal to them, hitting every note in the middle, moving from top to bottom of the wide tessitura with no loss of tone or power. Throughout the huge congregation all were motionless, and remained so when the section came to a close and the choir was heard again.

  Some stayed still because they felt they should rather than from artistic or pious feeling. Two such were the aged representatives of the Holy Office in their black vestments symbolically piped in scarlet: Monsignor Henricus and Monsignor Lavrentius, or to give them the familiar names by which they were known in their native Almaigne and Muscovy, Himmler and Beria. Not far from them, a third man held himself rigid out of a desire not to give the smallest grounds for offence to those many of his neighbours who made no attempt to conceal from him their often hostile curiosity. The Archpresbyter of Arnoldstown was the first holder of his office ever to have crossed the threshold of St George's, and there was some resentment at the admission of a Schismatic eminence-in plainer terms, a surpliced heretic-to today's ceremony. At his side, Cornelius van den Haag, New Englander Ambassador to the Court of St Giles, had become too far immersed in the music to stir.

  For Federicus Mirabilis and Lupigradus Viaventosa, what they were now listening to was a significant part of their entire reason for attendance. Mirabilis's eyes were open, though they saw nothing; Viaventosa's were lightly shut, with a tear showing at the corner of each. Both men knew Mozart's masterpiece by heart and had the skill to remove from consciousness the woodwind decorations, the solemn brass chords, the throb of the kettledrums, the surge of the strings. All that the two heeded was Hubert Anvil's performance. Neither relaxed or moved until it was complete, until the supremely difficult solo flourish in the coda had been accomplished, until indeed the final bar had passed and, at the end of some seconds of total silence, a great rustle and clearing of throats filled the nave. Then Mirabilis turned and looked questioningly at his companion. After wiping away his tears, Viaventosa nodded his head slightly several times.

  Outside the basilica, thousands of the people waited in the extensive paved square formed by its western face, the archiepiscopal palace opposite and, to the north and south, the Chapter-House and the offices and residences of the Archdeacon, the Dean, the Vicar-Choral and other functionaries. These thousands had come not only from Coverley itself, but from as far away as London or even cities of the northern shires, most of them by waggon, those who could afford it by railtrack or express-omnibus. They were the early arrivals, and they waited not only for a sight of royal, ecclesiastical and noble magnificence, but also for the Archbishop's benediction, which those other thousands, now lining the way to Headington Palace, must to their spiritual hardship go without.

  The sun shone down, illuminating to advantage the rather severe stone facciata of the Chapter-House, pleasantly warming the multitude, which would, however, have assembled just the same in a snowstorm. On a different sort of grand occasion-a royal wedding, an anniversary of the Holy Victory-there would have been noise and bustle and trafficking, fiddlers, jugglers, acrobats, comedians, balladiers, vendors of hot patties and ginger beer, sharpers and pickpockets too. If there were any such here today, they were not plying their trade, but stood quietly alongside the worthy men who worked in the fields, forests and mines, in the provision of food, drink, clothing or furniture, in domestic service and in that profusion and variety of humbler lay offices required by the Church. When, as expected, Great Dick began to toll, indicating that King Stephen now lay at rest among his forefathers in the cathedral vaults, a groan of grief ran through the crowd and subsided. Again they settled down to wait, until the tall bronze doors of the basilica slowly opened.

  At a dignified pace, the members of the congregation began to emerge and to take up their preordained places along the broad marble steps. Above them, the sculptured figures of Vanbrugh's tympanum, a boldly inventive representation of St George and the Dragon, caught the sunlight here and there, and above everything soared the twin Brunei spires, each of them overtopping by several feet that of Ulm Cathedral in Almaigne. The Archbishop ascended his tribunal popular, but it would be some minutes yet before all were in position to receive his blessing. His snow-white vicuna pallium, and beneath it the chasuble of black velvet adorned with gold, were an emblem of the austerity to be seen almost everywhere on this day. The Royal Palatine Guard in their azure and violet, together with the carmine uniforms and capo
tes of the Papal Cohort, provided the only patches of vivid colour.

  None could be found among the people, nothing but the dullest tones of moleskin, corduroy or hessian.

  The Benediction Popular as an established Church practice was a comparatively recent innovation, dating back little more than three centuries. It was not confined to the English Isles, but flourished also in the Netherlands, in Brunswick-Brandenburg and in other northern states of Almaigne. To the learned, it symbolised the union between the two degrees of divine favour, the Twice-Blessed, in the persons of those who had received the Benediction Devotional at the conclusion of the Mass, and the Once-Blessed as represented by those who filled the square; so also the union of the two conditions of society. But to the unschooled of the lower degree and the lower condition, it was one of the most important of the very few ways in which grace could be acquired by an act of will, since it was effective upon those in a state of sin.

  The Archbishop proceeded to deliver his blessing. He spoke in high ecclesiastical Latin, a language unintelligible to the great body of his hearers despite the theoretical similarity of some of its forms to phrases they heard every day. But this did not matter to them, any more than it mattered to many of those present that His Eminence's voice reached them as a faint murmur, or to very many more that they heard nothing of it whatever. To be present meant to be within sight of the source of benediction; all that was required besides was to think seriously upon Jesus Christ; on these points doctrine was firm.

  The ceremony reached its end. The Archbishop vacated the tribunal, received the King's obeisance, raised him to his feet and escorted him to the royal baruch. In continuing silence—there would be no trumpets today—His Majesty took his seat, but the wheels did not turn until His Eminence was settled in the carriage immediately to the rear. The declining sun drew glaring reflections of itself from the gold leaf of both vehicles, fast-shifting points of varicoloured light from the cut-crystal with which they were embellished. Preceded by two Papal outriders, a troop of the Palatine Guard, their black-pennoned lances dipped, moved at a slow walk before the line of baruches, each drawn by black-plumed horses and hung with black streamers. Hooves, iron tires and harness made the only sound. In the year of Our Lord one thousand nine hundred and seventy-six, Christendom would see nothing more mournful or more stately.

  'Bring the lamp over, would you, Fritz?' asked Lupigradus Viaventosa in his squeaky voice. 'This confounded gas gives no real light.'

  'Very well, but please finish your prinking.' Mirabilis's voice was as high-pitched as his friend's but turned the hearer's mind to an upper woodwind instrument, say a flute, rather than to a slate-pencil. He took the oil-lamp from its hook in the smoke-stained ceiling and put it down on the toilet-table. 'We must not be discourteous to the Abbot.'

  'It would be the very depth of discourtesy for us not to appear at our best.'

  'How could the state of your mustach constitute a discourtesy to the Abbot? He has never seen it before.'

  'I beg you, Fritz, allow a foolish old man his vanity.'

  The two spoke in the language of Almaigne, where they had been born. To do so was a mild but continuing pleasure after so many years of constant Italian diversified with Latin. Each had lived in Rome since boyhood and now held a high position in the musical hierarchy there: Viaventosa, some fifteen years the senior, was director of the Sistine Choir, Mirabilis a leading singer in the secular opera. It was the former's first visit to England; the latter had been many times before. As a renowned exponent of Purcell, he was likely to be in demand whenever the Royal Opera House at Wheatley staged a new production of Dido and Aeneas or Majorian.

  Although it was not a cold evening, both men were glad of the log fire that glowed steadily and cheerfully in the grate between their beds. On the wall above these there hung in each case the statutory crucifix and devotional picture: an Annunciation and a St Jerome with a demented-looking lion. They showed some skill and taste, to be expected in a first rate bedchamber at the Inn of the Twelve Apostles, King Stephen II Street, Coverley. The room was furnished in conservative Great Empire style: the rugs and heavy silk curtains from India, the jade candlesticks from Upper Burma, the tiles of the hearth from Indo-China, the mahogany prie-dieu from the Soudhan, as, rather irreverently, was testified by the low-relief carvings of lion, crocodile, elephant and hippopotamus.

  Viaventosa finished at the looking-glass. 'Have you ordered a public?' He used the English word, which, in the sense he meant, was current throughout civilisation.

  'Naturally. No doubt it waits below at this moment.'

  'Nonsense: we should have been informed of its arrival... Well?'

  As invited, Mirabilis surveyed the controversial mustach, a sparse, fine growth now darkened with kohl so as to suggest what might sprout from an adolescent's upper lip; then took in the frilled lilac shirt, the purple velvet jacket and black breeches, deftly tailored to hide something of their wearer's plumpness, the high-heeled leather boots. 'Most commendable. You do yourself credit.'

  'You also. The wig is a great success after all and those cuffs are most distinctive, though I might have preferred a little more colour at the throat. Yes, we're no disgrace, either of us, considering what we are.' Viaventosa's ample jowls shook slightly.

  'My dear Wolfgang, both of us have had quite long enough to reconcile ourselves to what we are.'

  'Have we? Would a lifetime be enough for that? I'm sorry, Fritz: this is foolish of me. Seeing that boy today brought so much back to me that I'd thought was safely buried.'

  'I understand. I share your feeling.' Mirabilis gripped the other by the arm. 'But we must try to suppress it.'

  'Yes, of course. You're wiser than I am, Fritz.'

  The whistle of the speaking-tube sounded at that moment and Mirabilis, no less portly than his companion but light of foot, hurried to answer it; Viaventosa took the opportunity to dab his eyes with a white lace pocket-napkin.

  'Yes?... Thank you most kindly: we will come down at once,' said Mirabilis in the excellent English his studies and visits had brought him. 'Die Public ist hier, mein Lieber.'

  A public (in full, a public-express) was actually the least public of the three modes of powered public transport available, the other two being the express-omnibus and the rail-track train. All these used the method of propulsion developed by the great inventor Rudolf Diesel. The fuel was petroleum from the wells of northern Mexico, Louisiana and, in the last few years, the New Spain province of Venezuela; ignition was achieved merely by compressing petroleum vapour to a certain density, without the introduction of a spark. That suffix was vital, for the only practicable known means of producing a spark was an electrical one, and matters electrical were held in general disesteem. They were commonly regarded among the people as strange, fearful, even profane; the gentry smiled at the terms of this view while not missing its essential truth: electricity was appallingly dangerous, both as it existed and as it might be developed. No wonder that its exploration had never received official encouragement, nor that persistent rumours told of such exploration by inventors in New England.

  The vehicle that waited at the portico of the inn was a typical public, squarely and stoutly built, bright with brass at its edgings, handles and lamps. Viaventosa and Mirabilis, with the aid of the driver's arm, climbed on the step and were soon settled against the soft leather upholstery. The clockwork motor whirred, the engine began its drumming and they were off. Even at forty miles an hour progress was smooth, thanks not only to the air-filled tires of Malayan rubber, but also to the level stone with which all the main streets of the capital were faced. There was some traffic on this one: other publics, an express-omnibus bound for London, several expresses. (Mirabilis had never got over his first feeling of amused irritation at the English illogic whereby a public-express was called a public and a privately-owned express an express.) And of course, the people's horse-drawn waggons and traps were everywhere.

  Viaventosa had strapped down
his window and was keenly attending to the buildings they passed. How different from Rome and its ordered antiquity! That theatre—its gasoliers extinguished on this day, though bills that promised a presentation of Thomas Kyd's Hamlet were to be seen-was an embarrassing survival of the Franco-Arabesque style that had been all the rage a century earlier, but at least it stood for something different from the lath-and-canvas structure beside it, a pattie-shop and all too evidently popular swill-shop in one. A little further along, a Court tailoring establishment in the latest ornate style, complete with single-window glazing, was separated by no more than a narrow passage from one of the exquisitely varicoloured brick-built churches for which middle England was famous. Two elderly clerics emerged from its portal into a passing group of young men whose dingily-hued attire proclaimed their social condition. To be sure, they moved apart to let their betters through, but with neither the alacrity nor the air of respect that would have been common form elsewhere. To Viaventosa, the tiny incident stood for much of what was to be seen and heard of England: careless, bumptious, over-liberal, negligent of order.

  At some point between the outskirts of Coverley and of Headington, the public reduced speed and turned off to the left. The quality of the roadway soon deteriorated; several times the passengers braced themselves or were sent groping for the straps; but it was only a couple of minutes before progress steadied again and the two were set down outside the main gate of the Chapel of St Cecilia-not in fact a chapel at all (though needless to say it incorporated one), but the choral school that served the cathedral and provided some teaching facilities for students from other parts of England and from the Empire.

  Mirabilis handed the driver eightpence, which was acknowledged with a low bow and more than perfunctory thanks. Inhaling deeply, he caught the scents of the countryside—there was no other building to be seen—but also the hint of petroleum fumes, together with something else acrid and unnatural, something else man-made: a distressful product, it must be, of the manufactories that had been springing up in the area between here and Coverley itself over the past twenty or thirty years, most of them engaged in the production of express vehicles, including, most likely, that same public which had brought him here. It seemed to him that he could recapture in full those odours, normal then to the neighbourhood of any habitation, that had reached his nostrils on his first visit to St Cecilia's in 1949, those of tallow-fat, bone-stock, horses and humanity. He was forty-six years old and an age was passing.